Graham Jones
12th November 2018 - 5 mins read
A

fter all, I might be saying this with a smile on my face, in a light-hearted way so you’d know that I was mucking about. On the other hand, I might have a stern look, wagging my finger at you and making you realise I was rather forthright about this topic.

The written word can only communicate part of the way. Without vocal tone, facial expressions and body language, it’s all too easy to get the wrong end of the stick when we read something.

These days we write and read more than ever before. Emails, tweets, Facebook posts, blogs—the list goes on. Nowadays, the typical office worker actually writes around 20,000 words a week. That means you are writing the equivalent of a novel every month.

The result is that every office worker will have developed a style of their own; a way of writing that is unique to them. And therein lies the problem for business communication.

It means that the way in which one member of the team writes on social media, for instance, can be vastly different to the style used by another staffer. That leads to inconsistency among the readership and the followers; they are confused about your company’s personality.

Many firms realise this and so they develop a corporate style guide or tone of voice document. And that can often lead to another problem; the company’s communication on social media in particular is no longer human. Corporate style allows things to be consistent but it turns most text into boring, business-speak.

Companies are often afraid that if they allow their style to be more human they’ll be in danger of trivialising themselves on social media. They get a sense of the more human approach devaluing their operation.

These firms worry that you might get maverick behaviour, with staff saying things in all kinds of negative ways on Twitter or Facebook. They don’t want to be like Channel 4, for instance, that Tweeted “BREAKING: It's definitely better to be nice to people and not be a dick. We'll update you as and when we have more on this story.” Or, perhaps, the Tweet from KFC in Australia which said “Something hot and spicy is coming soon” above a picture of a woman looking down at a man’s genital area.




Social media activity like this seems fun and human, but it is the kind of tone of voice that puts off the corporate style police. That, though, is a problem. It means that millions of social media messages are just plain boring. People skim straight past them, meaning they are a complete waste of time for the companies in the first place.

So, is there a way out of this conundrum? How can your company come across as human without people going bananas?

One way is to train people in writing skills. Given that the typical office worker is producing a novel’s worth of material each month, it’s worthwhile taking stock and thinking “are they trained for that?” People get trained in the technical skills of using email, for instance, but how much training do people get for writing? These days, writing is one of the most common activities for office workers and few are trained in this skill.

A key feature of learning to write well is understanding how your material sounds, so that even though the reader cannot see your facial expressions they can still get a jolly good idea of your meaning through the way you use phrases, sentences and punctuation.

Staff that are well-trained in writing are going to be much less likely to make the mistakes of businesses trying—and failing—to strike that human tone on social media. That’s because trained writers tend to stop and think more before they commit finger to keyboard.

It’s also about seeing the reader in your mind’s eye. Professional writers visualise the people for which they are writing, rather than just focusing on the words. Skills like this can be taught and learned and can create a significant advantage on social media. That’s because, with everyone trained, the personality of the company can shine through and the maverick behaviour can be diminished.

Essential to getting it right is understanding your audience very well indeed. Taco Bell, for instance, does this brilliantly. Its social media posts are light, fun and humorous, reflecting the fact that what the company offers is a fast snack that is usually eaten socially.

Similarly, the airline JetBlue manages to strike a good balance between fun and being serious. It doesn’t trivialise air travel but it does emphasise that travelling itself should be fun and enjoyable. Its Twitter feed is consistent in that it contains a sprinkling of humour among the more serious tweets.

Another good example is the bookstore Waterstones. It provides informative social media posts as well as humour and conversation with its followers. It has a consistent tone that is light when needed and serious when talking about something that demands it. In other words, it understands the connection between the topic and the reader very well.

Fundamentally, what these companies share is a solid understanding of their readership. They may well be using trained writers, but their social media posts reveal that they truly understand their audience. You can only write in the right tone if you understand who is going to read your material and their motivations.

For some companies this will mean you can be light, fun and entertaining. For others it will mean that you need to be conversational and witty. And for a few it will mean you need to strike a balance between serious and light. The only “right answer” about tone of voice on the internet is “it depends”. It depends on your product, your sector and your audience. Two things will help you get this working properly—trained writers and a solid, well- researched understanding of your target audience. 


At Thirty Seven, we offer content and design services to ensure your campaigns reach the right audiences at the right times. Our journalist led approach ensures your content is interesting, engaging and informative so you gain brand awareness and engagement whether it is social media content or a whitepaper. 

Marketing

How to respond to negative comments about your content

Adam Fisher 26th June 2018 — 5 mins read
S

ome will be genuine complaints from customers, others may be from rivals and then, of course, there are the dreaded trolls.

I’m no stranger to online criticism, having previously managed social media accounts for public sector organisations.

People have also, on occasion, taken exception to blogs I have written in my current role, including an ITN newsreader who really didn’t take too well to something I wrote for our sister company Media First.

The key is to accept that you will face negativity at some point and focus on how best to respond.

Here’s what I have learned from my own experiences and the different ways some brands deal with negative comments. 


Keep calm

This is advice I constantly have to remind myself about.

Whenever someone criticises something I have put out, and I don’t think it is justified, my first reaction is to quickly put together a stinging instant response.

But then I think back to a training course I went on years ago where we were told not to send work emails when we were angry.

And I think the same applies here, whether you are responding to a blog comment, a Twitter post or any other form of audience interaction.

The reality is that responding emotionally when your blood is still boiling will typically make the situation much worse. And you really don’t want to get involved in some form of ongoing argument in a public domain.

It sounds obvious, but it is important to compose your thoughts, consider the criticism, and let any heat die away from the situation before responding – even on social media where speed is of the essence.


Avoid the copy and paste approach

One of my hates on social media is when a brand receives some criticism and it responds by continually copying and pasting the same couple of generic lines over and over again.

It is something I see regularly. 

When Nectar was widely criticised on social media for announcing a partnership with the Daily Mail, it stuck rigidly to pre-agreed corporate lines, which it copied and pasted relentlessly.

Here it is: “Hi (insert name), we’re sorry to hear you’re not keen on the partnership. The primary factor in any new partnership is our current customer base. From our data and research, we know that there is a large crossover between our customers and Mail readers. Hopefully, you can take part in other offers which you find more appealing. Thank you for the feedback anyway.”

It looks cold and robotic and only really serves to make the customer more frustrated. It also suggests the brand actually isn’t all that bothered about complaints from customers.

While it may feel a little risky, social media teams should be given the freedom to move away from pre-approved corporate lines when an organisation is being criticised and add a human touch to responses.

If you are facing a real social media storm and don’t feel you have the time or resources to personalise responses, it would be better to stick to regular updates rather than trying to reply to everyone with the same corporate line.


Humour

You need to tread carefully here, but humour can be a great way of turning a negative comment into something positive.

Not only can it diffuse potential issues, but it can also show a fun, lighter side to your brand.

But it is not going to be appropriate in all situations and each one needs to be judged independently.

Virgin Trains found itself in the middle of a social media storm earlier this year when it responded to a passenger complaining about being called ‘honey’ by a train manager with a poorly judged joke.  While Thameslink found itself threatened with legal action after comparing its poor service to ‘Poundland cooking chocolate’.  

My advice would be to run any humorous responses past a colleague just to check that they are actually funny, right for the audience and also tasteful before they are published.


Sometimes a private reply can be better

You are not going to keep everyone happy, even if you follow all of the above advice.

Some people will continue to post negatively, but it is important that you don’t get drawn into an ongoing conversation with them.

The best approach is to ask them to send their contact details to you through a direct message or your email address so you can arrange for someone to give them a call and discuss the issues they are experiencing.

This is something which worked well for me in previous roles and at times resulted in a dissenting voice later going on to post something positive about the organisation.

Even if they persist with their criticism, other customers will be able to see the effort you have made to try to help them.


Don’t delete

It can be tempting to delete negative comments and criticism, particularly if you feel they are unfair.

But this needs to be avoided.

Not only does it show a lack of transparency and suggest the organisation may have something to hide, but it is also likely to encourage the critic to post more negative comments.


You don’t always have to say sorry

Another one of my regular frustrations with the way brands respond to negative comments is they always apologise, even when they have nothing to be sorry for.

Take train companies for example. Any commuter will tell you that these guys have a lot to apologise for. But look at their Twitter accounts and it is one apology after another.

The website Sorry for the Inconvenience shows that rail operators have already issued more than 200,000 apologies this year alone. While many of those are completely justified, some are for really minor issues like plug sockets not working.

The huge rate of apologies only adds to the reputational damage. The key for other companies is to be selective about when to say sorry.

Sometimes a better approach is to take control of the narrative and laugh about the issue, like Joe Dough’s Sandwich shop did in this brilliant example.




Finally

The final point is that a negative reaction doesn’t have to be seen as a bad thing.

I want the content I produce to cause a reaction and even a negative reaction can get other people talking.

It’s far better than talking to a completely passive audience.

 

 

At Thirty Seven, we offer content and design services to ensure your campaigns reach the right audiences at the right times. Our journalist led approach ensures your content is interesting, engaging and informative so you gain brand awareness and engagement whether it is social media content or a whitepaper.

 

Aimee Hudson
3rd October 2017 - 6 mins read

Every company wants to be an authority in their sector - those that engage the media usually are

Media First designs and delivers bespoke media and communications courses that use current working journalists, along with PR and communications professionals, to help you get the most from your communications plan.