Celebrities vs locals- the rise of the micro-influencer

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I’m sure you’ve all seen celebrity endorsements online in some form. Whether it’s one of the Kardashians dripping in gold and chucking expensive perfume at their Instagram profile, or a famous sportsperson raving about some shiny trainers, endorsements saturate most media platforms nowadays.

his used to be the best way to use influencer marketing in business. Looking to sell a new perfume? Find out who your target audience is, figure out who’s on the posters on their bedroom wall and there’s your answer. And there’s nothing wrong with this, per se. Celebrity endorsements do still work, specifically for brands and luxury goods on social media.

But there’s a fairly new form of endorsement sneakily taking over the marketing and advertising industries: micro-influencers. Using these influencers is becoming more and more common as modern brands see the value of scaling down their campaigns to reach a more targeted audience.

Firstly, what exactly is a micro-influencer? Tribe (a popular platform which connects influencers to brands) defines micro-influencers as ‘everyday people with a decent following’ who post about specific niche interests and passions. ‘Micro’ is fairly subjective, but in terms of social media it usually revolves around having a few thousand followers who interact with your content regularly.

This is a great way of summing it up, as one of the main advantages of micro-influencers is that they’re just normal people who’ve done well for themselves online.

One of the reasons that celebrity endorsements sometimes don’t do as well in modern society is because consumers are now aware of how polished and honed a celebrity appearance online is. Sure, they might be raving about how much they love that new sweatshirt, but they’ve probably been given it for free on a PR list and had six people work on the social media post before posting. It looks great, but it just isn’t authentic.

Most modern consumers want authenticity - specifically younger consumers, for whom this form of marketing is so relevant. Despite the media raving about how younger generations are addicted to social media and celebrities, many are actually turning away from a digital-focused life. The pressures of keeping up a perfect appearance online and trying to live like idols can have a huge impact on mental health and well-being.

Thus, highly polished celebrity endorsements just don’t have the same impact that they did 10 years ago. There seems to be a rising lack of trust in big brands and celebrities, which is affecting the way consumers behave. Just Google a brand name with ‘conspiracy theory’ or ‘scam’ behind it. There’ll probably be someone who’s convinced that the brand works for the Illuminati. And who’s to say they don’t?

In all seriousness, marketers need to be aware of this shift in attitude, especially if they’re targeting younger audiences. Micro-influencers are the perfect way to promote products and communicate with an audience, without losing their interest and trust. This may not seem like the best marketing strategy if you’re a large brand, but like I said earlier, there’s a lot of large brands using micro-influencers to their advantage.

One key example of micro-influencers being used is ASOS’s insiders. The ‘insiders’ are a team of fashion influencers who use their personal social accounts to promote ASOS content and engage with their audience. This particular influencer marketing scheme is famous in the industry as it’s incredibly successful.

The influencers all have unique styles, ranging from 90s tomboy chic to over-sized LA vintage. There’s something for everyone, and it’s clear that these are all styles that the influencers are genuinely passionate about. Therefore, it’s easy for consumers to relate to these people and feel more invested in their lives.

Obviously, these influencers now have large followings, but they all started out as just regular folk posting on Instagram. They’re now present across multiple platforms and constantly growing their audience. The appeal is how normal these people are. Who would you rather listen to for a review? A multi-millionaire celebrity or someone who you’d probably bump into in your favourite store?

Another great user of micro-influencers is Glossier. The company has a great online presence, particularly on Instagram. There are two elements that it’s aced for influencer marketing: fashion micro-influencers and niche memers.

Firstly, it uses a lot of user-generated content and micro-influencers to promote its products. It recently launched a referral program to reward its most loyal and influential fans online, which is boosting its profile even further.

Glossier creator Emily Weiss said recently in an interview that something that motivated her team was the idea of ‘every woman being an influencer’. This can be seen on its Instagram where it frequently reposts and celebrates its followers who promote its products. The overlap between micro-influencers and user-generated content is growing, and it has created nothing but positivity for Glossier.

It has also cracked the niche meme market well, which is notorious for the number of micro-influencers it’s created. Niche memes are a unique style of online content, specifically found on Instagram, which are very personal and visual posts. They’re often in the style of mood boards or aesthetic posts, but they originally started as more of a scrapbook/visual diary-styled post for people to express themselves and talk about sensitive topics online.

The fact that these niche memes are so personal means that people often post about their favourite brands and shops, and this is where micro-influencers come in. Glossier has collaborated with a number of moodboard/niche meme accounts and given them discount codes to promote to their followers.

This was a great move on Glossier’s part, as niche meme followers are normally incredibly invested in the pages that they follow and trust the owner’s opinions much more than they’d trust a celebrity. A lot of brands have done this, but few have achieved the success rates and status that Glossier gained from this marketing move.

So, what does this mean for your business?

If you’re considering using influencers, it’s worth looking into micro-influencers. Take some time to research what pages are relatively popular on your chosen platform, or look into influencer platforms like Tribe or AspireIQ. Using a smaller but more targeted page can often lead to better results and a more positive reaction from your audience.

If you’re set on using a celebrity or someone with a huge following, think about the authenticity of your message. Would that person’s audience really like what you’re asking them to promote? If not, your brand is going to seem fake and untrustworthy. Try chatting with them for a while to find out more about their audience and previous sponsored content, to get a better feel for how you could work with them.

On a broader level, think about the authenticity of your brand’s advertising and marketing campaigns. Consider whether your audience is going to actually like your product and your message, or whether you’re just trying to reach as many people as possible. Modern consumers are intelligent, and they can spot a fake review or endorsement a mile away.

Thirty Seven is proud to offer a huge range of content creation and marketing services. Get in touch with us today to see how we could help your business.

ompanies have become their own publishing houses, producing regular magazines aimed at informing, entertaining and evoking loyalty in their customers.

And the ones who do it well produce compelling content which is a long way from the sort of advertorial type material you may traditionally expect from branded print.

One of the great strengths of brand magazines is that if they are good, people will keep hold of them for longer than other promotional material. They also offer something different from the digital bombardment many customers face.

Here are some of our favourites:

The Red Bulletin

The Red Bulletin has all the high-octane, adrenaline fuelled and adventure packed articles you would expect to read from a brand which makes energy drinks and runs Formula One teams.

But among the stories on extreme sports, like cliff-diving and rock-scaling, are features on more sedate pursuits, lifestyle activities and interviews with high-profile actors and musicians.

The monthly magazine, which is illustrated with stunning images, is distributed in London alongside the Evening Standard newspaper and is also available at universities and gyms.

Subscriptions are also available, while the magazine is backed by its own eye-catching website.

The Furrow

John Deere began publishing The Furrow long before the term ‘content marketing’ had first been used.

The first issue was published back in 1895 and is widely regarded as being the oldest example of content marketing. The publication is still going strong today with around two million global readers.

The magazine focuses on the farmers themselves and the current issues in farming, providing informative content, rather than promoting the equipment John Deere sells.

Such is its enduring appeal that it is now printed in 14 languages and is available online.

ASOS

You might think that a printed magazine is an unlikely fit for an online only fashion retailer aimed at the 18-34 crowd.

But ASOS began producing its self-titled magazine in 2007 and celebrated its 100th issue in February this year. It has proved a huge success reaching around 700,000 people globally, 450,000 of these in the UK.

It has attracted stars such as Taylor Swift, Lady Gaga and Jennifer Lawrence to its front page and interviews like these prove it is far more than a catalogue.

This glossy publication is backed by an online audience of more than 120,000.

Traveller

In flight magazines first started appearing in cabins more than 60 years ago, when they were introduced by Pan Am, and are one of the oldest versions of brand magazines.

Despite smartphones and Wi-Fi increasingly creeping into planes, these magazines continue to go from strength to strength with around 150 printed around the globe.

United’s offering, Rhapsody, is often cited as an example of a good brand magazine, but unfortunately you’ll only get to read it if you book first class.

Despite its somewhat unimaginative title, easyJet’s Traveller magazine is our pick from the in-flight market.

It is a stylish monthly publication, packed with a wide range of content. A recent edition, for example, ranged from looking at the latest crop of bands to emerge from Liverpool to an article on the charms of Comporta, in Portugal.

And if you miss a copy they are all available digitally on the magazine’s own section of the easyJet website.

Waitrose Weekend

This breaks the mould of the other publications we’ve mentioned as it is printed in a newspaper format—in fact, when it was first published in 2010 it was the first free newspaper published by a retailer.

The 48 page publication, free every Thursday, has the look of a quality Sunday supplement and all the articles on food, drinks and cooking you would expect in a publication produced by a supermarket and aimed at Middle England.

But it also features celebrity interviews, a health and fitness section (with Pippa Middleton no less), a guide to events taking place around the country, a gardening section and TV reviews.

And like any good newspaper, it features an impressive number of high-profile columnists including Jeremy Vine, Clare Balding, Stuart Maconie, Jonathan Agnew and Mark Kemode, while Phillip Schofield has a ‘weekend wines’ column.

Pineapple

This was Airbnb’s glossy move into the world of publishing.

The coffee table production, which came in at a hefty 128 ad free pages, was distributed to the app company’s host network.

It had rather vague aims of being a ‘crossroad of travel and anthropology; a document of community, belonging and shared space’, but nonetheless was well received and covered a wide range of topics, including art, food, culture and style.

But here’s the cautionary tale; despite plans for Pineapple to be published quarterly, there was only ever one edition before the magazine was quietly shelved.

At Thirty Seven, we offer content and design services to ensure your campaigns reach the right audiences at the right times. Our journalist led approach ensures your content is interesting, engaging and informative so you gain brand awareness and engagement whether it is social media content or a whitepaper.

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Celebrities vs locals- the rise of the micro-influencer

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